Stunning Waterscapes – Choosing the Right Amount of Blur

In this article, Hans Strand will explain his techniques for capturing just the right amount of motion blur for his style of waterscape photography, including the differences between shooting river rapids, lakes and seashores. And he explains his use of focus stacking to create beautiful water images with incredible detail.

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Stunning Waterscapes – Choosing the Right Amount of Blur
Photography by Hans Strand
more at Zeiss

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The CSC Camera Book 2018

The compact system camera market has rapidly grown in recent years, with more and more photographers opting for the mirrorless option over the bulkier DSLR. The CSC Camera book is the ultimate guide to mirrorless cameras, whether you are looking to buy your first CSC and need help picking the right one, or just want to know how to take your imagery to the next level, we’ve got it covered. In this brand new book we have rigorously tested over twenty of the best mirrorless cameras on the market from all of the key manufacturers, and have looked at a range of the best lenses.

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The CSC Camera Book 2018
via Mobilism

Teach Yourself Photography

Compared with camera phones and compact cameras, modern DSLRs can seem terribly over-complicated to the novice photographer. The truth is, they have to be over-complicated to satisfy the needs of a diverse range of users, despite the fact that most photographers will only use a small percentage of the features on a regular basis. What the beginner photographer really needs, then, is a no-nonsense guide to the most important features on DSLRs written by experts that reveals in plain English exactly what they need to know and nothing more. This is that book.

Teach yourself Photography explains all the photography concepts beginners need, such as how to balance exposures, how to get sharp shots, and how to maximise image quality. Once you’ve mastered these basics, you can then move on to our more advanced skills section at the end of the book featuring practical how-to guides for shooting a range of core subjects. Take your photography to the next level and start learning today.

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Teach Yourself Photography Third Edition 2018
via Mobilism

Seascape Photography: The Ultimate Guide by Anton Gorlin

“Often, when we travel to the seaside, we want to create some great shots, not just to remember, but also to impress others. The sea is beautiful, the coast is picturesque, but the photos need a bigger punch, right? No worries, I’ll teach you how to create some stunning seascape photography pieces. Read further to learn about all aspects of the coastal photography: types of light, composition, shutter speeds, planning, the spirit of freedom, etc.” —Anton Gorlin

Seascape Photography: The Ultimate Guide
by Anton Gorlin

read it or download the PDF at Anton Gorlin Blog
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Tips for Shooting Off-Camera Flash with an Umbrella

Off-Camera Flash | You see photography umbrellas in almost every Hollywood movie that features a photographer. They are part of the imagery that people see in their mind when they think about portrait photographers, but what exactly does a photography umbrella do? In this article we will examine 3 tips for shooting off-camera flash with an umbrella.

Types of Photography Umbrella For Off-Camera Flash.
You may be as surprised as I was to find out that there are actually different types of photography or flash umbrellas and each one has a specific purpose. The first thing to note is how many spokes the umbrella has. The standard number of spokes is usually 8 or 16. The more spokes it has the more it wraps the light around your subject giving you a more flattering and less harsh light. The next thing to examine is if it is translucent or not. A translucent umbrella means that you can fire your off-camera flash though the umbrella, turning it into a large diffuser. If it is not translucent, then your flash umbrella should have a black fabric covering the back of it and it should be lined with white, silver or gold material. The gold and silver linings are obviously more reflective than the white lining so they give a more specular or striking light while the white lining diffuses the flash for a softer light on your subject. Remember that the reflective material will also determine the final look of your portrait, as the gold reflective material will cause your image to warm up considerably.
Shooting with a Flash Umbrella.

The most important thing to remember when shooting off-camera flash is that the light falling on your subject is determined by the size of the light in relation to your subject and the distance of the light from your sitter. The larger the light source, the softer the light and the closer the light source, the softer the light. This is best demonstrated by looking out your window. The sun is a small spot in the sky, for us here on planet Earth, and it is also very far away. The resulting light is bright, harsh and with great contrast between highlights and shadows. Not ideal for portrait photography. Now imagine a cloudy day. The light from the sun hits the clouds turning them into a massive light source that is far closer to us than the sun. The result is a softer and more flattering light with less contrast. This exact same principle applies to off-camera flash photography.

40” Silver Photography Umbrella.

UmbrellaSilverThis example was shot against a white wall using an off camera flash and a 40” silver photography umbrella. With the silver lining, you can see that there is a very focused light on the model’s face with striking shadows and contrast. The highlights very quickly turn to shadow areas and there is very little light hitting the background. What is interesting to note in this photograph is the shadow on the model’s cheek with beautiful contrast with the viewer’s attention being brought directly to the model’s eyes.

40” White Bounce Umbrella.

UmbrellaWhiteThere is a striking difference between this example and the one above. This photo was shot with a 40” white bounce umbrella. Instantly you can see how the white lining of the photography umbrella scatters the light from the off-camera flash. The result is a more even light with just enough contrast to keep detail in the shadows without the image becoming flat. You can also see that the flash now lights more of the background, which is perfect for location photography as it keeps your sitter in the environment. A 40” white bounce umbrella is ideal for shooting headshots where you want to add a bit more character to the portrait without making it look theatrical.

40” Diffuser Umbrella.

UmbrellaDiffuserThe 40” diffuser umbrella gives you a variety of shooting options. As you are shooting through the umbrella, you turn it into a sort of soft box that can be used to create either high or low contrast images. In this example, the desire was to create a “Rembrandt” lighting style. Rembrandt lighting is named after the 17th century painter known for his portraits, among other works, and his creative use of light. His signature style was a small triangle of light on the shadow side of his sitter’s face. He used window light as his inspiration but photographers can recreate this iconic look with a diffuser umbrella. As you are shooting though the umbrella the light is scattered and tries to wrap itself around a person’s face. Although some experimentation is needed in the positioning of your model, the resulting image has a beautiful level of contrast with a creative use of light.

Off-Camera Flash Photography.
Using a photography umbrella to control and manipulate your light is one of the key techniques that you must learn when starting out in portrait photography. Flash umbrellas represent a convenient and affordable option for getting more creative and interesting images when you are learning how to photograph people. So what are you waiting for? Get practicing and start shooting your best portraits yet.

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via seamlessphoto

EOS 7D Mark II AF-Setting Guidebook

EOS 7D Mark II AF-Setting Guidebook
Detailed explanations of how to master the 65-point cross-type AF

EOS7DMarkIIAFguidebookLearn more about how to customise the EOS 7D Mark II’s autofocus system according to individual shooting conditions.

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get the guide at canon

or here “EOS_7D_Mark_II_AF-Setting_Guide

How to Photograph a Lunar Eclipse

How to Photograph a Lunar Eclipse
A lunar eclipse occurs whenever the moon passes through the Earth’s dark shadow, which can only happen during a full moon. There are two or more lunar eclipses a year.

lunareclipse1Types of Lunar Eclipses
Penumbral Lunar Eclipse. This occurs when the moon passes through the Earth’s penumbral shadow. These eclipses are subtle and hard to observe.
Partial Lunar Eclipse. This occurs when a portion of the moon passes through the Earth’s umbral shadow. These eclipses are easy to see with the unaided eye.
Total Lunar Eclipse. This occurs when the entire moon passes through the Earth’s umbral shadow. During the total phase (totality), the moon turns a vibrant red color. These are easy to see as well, with the unaided eye.

lunareclipse2A lunar eclipse begins as a small notch slowly appears along one edge of the moon. During the next hour, the moon gradually dips deeper into Earth’s dark umbral shadow. If the eclipse is a total one, the last remaining minutes of the partial phases can be quite dramatic. The crescent of the moon grows thinner as darkness propagates through a night sky now deprived of moonlight. If you’re away from city lights, the Milky Way becomes bright and beautiful as the total phase begins.

lunareclipse3No matter what kind of camera you own, there are a variety of techniques that you can use to photograph a lunar eclipse: wide-angle, telephoto, multiple exposure and star trail. While you can also use film cameras to photograph eclipses, this article specifically discusses digital camera use.

lunareclipse4Geometry of the Sun, Earth and Moon During an Eclipse of the moon. Earth’s two shadows are the penumbra and the umbra.
(Sizes and distances not to scale)

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more at: nikonusa