EYE-Photo Magazine, is an independent online publisher, providing a platform for aspiring, enthusiastic and talented photographers from all over the world to present their work to an international readership.
“Sometimes I feel like I am living in a film that I have imagined…” The serendipity and strangeness of street photography is used to make sense of the fantasies and fears radiating from Tokyo’s residents.
Photographs and text by Meg Hewitt
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Tokyo Is Yours: Seeking Sense Through Street Photography
more at Lens Culture
“Street Photography has a little bit of everything – reportage, documentation, art and composition”
Photographing people and the street is a true art, born of a deep-seated passion. And as Siegfried Hansen said, “street photography is reportage, documentation, art and composition”. Zoom has chosen to dedicate its final issue for 2017 to those photographers who have always reveled in the urban scene, in capturing the city and its people. Their attention to composition is extreme, as is their view of their subjects and the use of color and natural lighting. Some prefer black-and-white, others strong color contrast. Some search out that fleeting moment, others the irony of daily life. When and where are not important. What counts is bringing to life photographs that immortalize instants of infinity.
Cover: Siegfried Hansen
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I try to combine street photography with street art in a complementary way. By adding a human element into the frame you can often enhance the artwork that already exists. Through timing and placement you can end up with an image in which life imitates the art itself.
Geraint Rowland, Photographer
Street photography has grown and rebelled against dogmas. It’s time for your own style.
Photos & Text: Gathot Subroto
It is frequently asked why those people, including me, choose street photography; why don’t they choose such other photography genres as landscape, fashion, culture, food and others? Certainly the answers could be diverse, different from one to another.
One of the most general reasons is its practicality. Street photography is easy to do. We just go out and interact with public spaces around us. All the places offer different stories and interactions making the street photography not expensive. Wo don’t need to go far away by plane to find its subjects, and also don’t need to buy expensive photography equipments.
I myself knew street photography because of my curiosity and I wanted to try something new. It was the beginning before I then explored and felt that there was something interesting in the genre.
Gathot Subroto Active in photography since 1990 when he was involved in publishing his campus magazine, he has learned photography autodidactically. He works now as a civil servant at the Indonesia Ministry of Finance. He is one of Indonesian X-photographers – official photographers of Fujifilm Corp.