Black & White Photography Guidebook 2017

Overview: Black and white photography has been with us for a long time. It remains an almost magical and timeless medium. Even in this full-colour modern world, its popularity is undiminished, with those new to it being captivated by its simplicity and power. The Black & White Photography Guidebook was created with the simple aim of introducing you to the world of black and white photography, and as a result, we hope you will enjoy new levels of artistic scope.

Gathered within these pages are numerous guides and tutorials to help you on your journey of photographic creativity including:
The origins of photography, History of black and white, Black and white core concepts, Seeing in black and white, Photography tips, Mono conversion techniques, Mono landscape photography, Portrait Photography, Type of light modifiers, Lighting techniques and expert lighting diagrams, High-key portraiture, Low-key portraiture, Abstract black and white photography, Essential gear guide, Filter types and systems, Printing your photographs, Developing and printing black and white film, Dodge and burn technique, Sepia toning, Selective colour…
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Black & White Photography Guidebook 2017
via mobilism


The Power Of Portable Light

I have traveled 4,625 miles to get this image. I’m stumbling through the volcanic landscape in the murky predawn darkness trying to find the Moai statues. The salty breeze and crashing surf remind me of early-morning shoots in Hawaii. But this isn’t Hawaii. I’m on Easter Island, one of the most remote inhabited islands in the world. And if I don’t get this iconic shot of the Moai statues at sunrise, I’ll never forgive myself. I need this shot for my photo essay of the island.
Text & Photography By Tom Bol
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Moai Statue At Sunset. Nikon D3, 24-70mm ƒ/2.8 lens, shot at 1/50 sec. at ƒ/8, Nikon SB-800 used off-camera to light the statue.
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Egypt. Nikon D2X and 17-35mm ƒ/2.8 lens, shot with a Nikon SB-800 to add catchlights to the subjects’ eyes in the bright overhead sun.
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TOP: Scotland. Nikon Df and 24-70mm ƒ/2.8 lens, shot at 1/100 sec. at ƒ/7.1. In this before shot, the telephone booth appears lifeless without flash. ABOVE: The same gear and settings were used, but by using a single speedlight, the telephone booth comes to life. A Nikon SB-910 was placed in the booth and fired off-camera using a Nikon SU-800 transmitter.
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The Power Of Portable Light
more at Digital Photo Pro

Tom Bol | Five Classic Lighting Recipes

Five Classic Lighting Recipes
Text & Photography by Tom Bol

tombol09a1. Soft Lighting
Lighting all starts with one light, and sometimes that is all you need, but not all single lights are equal.
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tombol09b2. Rembrandt Lighting
Say you only have one simple light and no big softbox. What kind of portrait can you create with a single edgy light? Try using Rembrandt lighting for a dramatic look.
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tombol09c3. Rim Lighting
Another single-light technique is rim lighting. Rim lighting illuminates a side profile of your subject, creating a dramatic portrait. This technique requires a single softbox and a dark background.
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tombol09d4. Clamshell Lighting
Have you ever seen a beauty shot where the subject seems so vibrant and lively it really catches your eye? I constantly embarrass my family at the checkout line in the grocery store. I’m the guy staring at the bikini model on the magazine cover, trying to see what catchlights are in her eyes and what lighting technique was used. More often than not, clamshell lighting is the technique being used.
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tombol09e5. Cross Lighting
If someone asked me what lighting technique I use the most, I’d reply cross lighting. This lighting technique uses two light sources opposite one another with your subject in the middle. One light will be illuminating your subject’s front, while the second light will be an accent light illuminating his shoulder, hair or backside. Any combination of softboxes, reflectors and umbrellas can be used.
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Five Classic Lighting Recipes by Tom Bol
more at Digital Photo

Studio Basics | First Setups

Studio Basics | First Setups

Low-key, Mid-key, High-key:
3 fundamental lighting setups.
An introduction to your first studio setups.

In this second episode, Mark Cleghorn explains the 3 main setups you need to know to get started with flash photography.
All you need is 2 flash heads and try out the 3 photographic techniques: “low-key”, “mid-key” and “high-key”.
Once you’ve apprehended these principal lighting concepts, you can master almost any type of studio flash setups.

Michael Ray | Food photography

” Michael Ray is a Pittsburgh-based food photographer who specializes in artistically lit food photography for use in advertisements, packaging, recipe cookbooks, and specialty publications. Using his unique and imaginative lighting techniques, Michael can emphasize and de-emphasize the tone, texture, shape and volume in selected areas of the image until the photograph communicates exactly what he and the creative team wants it convey. “

via tuscanmuse