For all the incredible technology packed into cameras, there is one missing element that will remain missing perhaps forever. The missing element? The combination of human eyesight and the brain’s image processor called the Visual Cortex.
Manipulating natural light is an art form. Some photographers might argue that studio lighting takes exceptional skill to beautifully craft, but Calgary-based Ukrainian photographer Irene Rudnyk proves that available light is flexible, stunning and not to be underestimated.
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Creative natural-light photographer and acclaimed youtube presenter Irene Rudnyk speaks to Caroline Schmidt about building her successful channel, her style choices and her creative projects.
« NEO 2 est un produit révolutionnaire. Vous ne raterez plus aucune photo. Sans aucun temps de recharge ni perte de lumière ou de puissance. » — Jason Lanier – Sony Artisan of Imagery
NEO 2 is a revolutionary LED light, that combines the ‘shoot what you see’ benefits of continuous light, with the flexibility of High-Speed Sync (HSS) flash, for more power or to freeze action. With no recycle time, you’ll never miss a shot. Designed for portrait photographers and videographers on the go, NEO 2 is lightweight and portable and can be mounted both on or off camera. A built in Elinchrom Skyport flash receiver delivers ultra reliable wireless triggering(1/8000th) up to 200m(656ft). Powered by 6 AA batteries, DC or DTaP, NEO 2™ delivers outstanding colour reproduction, with a gorgeous soft light output and Rotolight’s signature catch light effect. Packed with innovative features, NEO 2™ includes True Aperture Dimming™, Designer Fade™ and an updated arsenal of CineSFX™ custom lighting effects (Lightning, Fire, TV etc.). 85% brighter in continuous mode than its predecessor, NEO 2 is a small light that delivers big results.
Landscape photographs is one way for busy, modern people around the world to connect to Mother Earth. There is however a great difference between an original, vivid landscape photo full of meaning than a photo created without love. We asked the award-winning landscape photographer joseramos if he could share his best tips on how to create fine art landscape photos. Trust us, You don’t want to miss this!
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more in: “Fine Art: 5 Landscape Photography Tips”
by José Ramos
Lucie Debelkova: living for the dream destination
Top travel photographer and Canon Explorer Lucie Debelkova lives for the thrill of new horizons. She reveals to CPN Editor David Corfield her motivations and vision and how social media, Canon’s EOS 5DS and three EF zoom lenses help her discover and record what she sees…
Canon Explorer Lucie Debelkova discovers new horizons with the EOS 5DS.
more at Canon
I have traveled 4,625 miles to get this image. I’m stumbling through the volcanic landscape in the murky predawn darkness trying to find the Moai statues. The salty breeze and crashing surf remind me of early-morning shoots in Hawaii. But this isn’t Hawaii. I’m on Easter Island, one of the most remote inhabited islands in the world. And if I don’t get this iconic shot of the Moai statues at sunrise, I’ll never forgive myself. I need this shot for my photo essay of the island.
Text & Photography By Tom Bol
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Moai Statue At Sunset. Nikon D3, 24-70mm ƒ/2.8 lens, shot at 1/50 sec. at ƒ/8, Nikon SB-800 used off-camera to light the statue.
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Egypt. Nikon D2X and 17-35mm ƒ/2.8 lens, shot with a Nikon SB-800 to add catchlights to the subjects’ eyes in the bright overhead sun.
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TOP: Scotland. Nikon Df and 24-70mm ƒ/2.8 lens, shot at 1/100 sec. at ƒ/7.1. In this before shot, the telephone booth appears lifeless without flash. ABOVE: The same gear and settings were used, but by using a single speedlight, the telephone booth comes to life. A Nikon SB-910 was placed in the booth and fired off-camera using a Nikon SU-800 transmitter.
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