Eclectic aesthetic fine art

John Kosmopoulos is a multiple award-winning photorapher based in Toronto who embodies an “eclectic aesthetic fine art” (EAFA) philosophy of photography.
He specializes in black and white, infrared and “muted color metallics” photography.

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Eclectic aesthetic fine art
by John Kosmopoulos

more in Photographize Magazine


Infrared Chernobyl by Vladimir Migutin

Infrared filters are known for creating a weird, eerie mood in pictures, no matter what you’re capturing. That is why taking a filter like that to an already haunting-looking place like Chernobyl might make the scenery pictures you take look even more impressive. Photographer Vladimir Migutin did just that on his trip to the town in Ukraine that suffered the infamous nuclear disaster.

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from: Chernobyl Shot With Infrared Photography Looks More Haunting Than Ever (Interview)
by​ Iveta

continue at Bored Panda

Infrarouge | Infrared | инфракрасной

Несколько лет назад я первый раз увидел инфракрасный снимок. И просто заболел инфракрасной болезнью.
Я практически перестал снимать в видимом диапазоне спектра, отдавая время изучению и опытам в фотосъемке в невидимой человеческим глазом реальности.
В данной подборке я хочу представить работы, которые появились благодаря специально сделанной камере и разным по спектру пропускания фильтрам.
Приятного просмотра!

Про лунный свет. Инфракрасная фотографи
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Полоска солнца. Инфракрасная фотограф
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Созерцать отражения. Инфракрасная фот
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Не спрятаться от зноя. Инфракрасная фо
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Sergey D. | Sixten ( Сергей )
more at 35photo

A Guide to Infrared Landscape Photography

A Guide to Infrared Landscape Photography

Do you have a fascination with infrared photography but no idea about its ins and outs? With decades of experience, Tim Shoebridge will guide you through the process of creating infrared masterpieces.

I have always had a fascination with infrared photography for as long as I can remember. I started out with my first film camera when I was only just a teenager, I was drawn to photography like a magnet at a very young age and in the years that followed I was fortunate to be able to experiment with film processing and printing in a make-shift darkroom at home. I progressed from a make-shift darkroom to something permanent, from regular black & white to infrared, lithographic and then both colour negative (C41) and colour positive (E6) processes. Upon turning sixteen I went to work in the darkroom of a busy wedding photography business. That was all thirty-five years ago.

A Guide to Infrared Landscape Photography
continue at Landscape Photography Magazine

Reimagining Californian Landscapes Through Infrared

Kate Ballis transforms familiar scenes into Technicolor dreamscapes in her new Infra Realism series
At first glance, Kate Ballis’ candy-coloured landscapes are reminiscent of the hand-tinted photographs that were prevalent in the mid-19th century, but these gorgeous popsicle-palette images were created with the aid of a specially converted infrared camera as opposed to a paintbrush.

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Reimagining Californian Landscapes Through Infrared by Kate Ballis
more at AnOther Mag

Gran Esfuerzo, Inmedible Recompensa | Pedro Fernández Aguado

Unas personas antes, y otras después, descubrimos a través de la experiencia que a nadie le regalan nada. Si queremos obtener lo que anhelamos debemos ser perseverantes en nuestros esfuerzos, aplicar la máxima fotográfica del ensayo y error en cada paso que damos y, sobre todo, no debemos tirar nunca la toalla dejando escapar, de esa forma, nuestros sueños. Porque todo llega, aunque la senda no sea precisamente un camino de rosas.

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Pedro Fernández Aguado
more in: Superfoto Digital N258 – Julio 2017