Guide d’achat | Reflex 24×36

Guide d’achat | Reflex 24×36
On entre ici dans la catégorie des reflex 24×36, longtemps synonymes de haut de gamme, aujourd’hui de plus en plus abordables avec des tarifs commençant à 1 600 €. Et même si, à ce prix-là, la construction n’est pas encore de niveau pro, on bénéficie déjà d’une qualité d’image supérieure aux APS-C, d’un viseur bien plus large et d’une compatibilité totale avec les objectifs plein format. Voici notre avis sur 10 modèles phares.

reflex24x36a reflex24x36b reflex24x36c reflex24x36d reflex24x36e reflex24x36f reflex24x36g reflex24x36h reflex24x36i reflex24x36j— – —

Guide d’achat | Choisir son appareil-photo
à voir dans Réponses-Photo – Décembre 2016

The World’s First Full Frame 35mm f/1.2 Lens

The World’s First Full Frame 35mm f/1.2 Lens

kerlee35KERLEE 1.2/35 lens, specially developed for all lovers of photography, is of high performances featuring large aperture, soft Bokeh effect and rich colors.

kerlee35aKerlee 35mm f/1.2 by dzoptics
The Kerlee 35mm f/1.2 lens by DZOptics was the fastest 35mm full frame lens when it was launched earlier in 2016. It’s a very fast, manual focus lens that boasts outstanding sharpness and soft bokeh at wider apertures. Available in Canon EF, Nikon F, Sony E and Pentax K mount, the lens can also be used on APS-C cameras as well as the full frame model it was designed for.

kerlee35bKerlee is a sub-brand of DZOptics technology co., Ltd. Kerlee’s name originates from the phonetic sound of ‘clear’ – a rather fitting name when you think about the quality of images that this lens produces. The aim was to develop an affordable yet high-quality lens that even amateur photographers could afford, using the best optics available. This, the first lens under the Kerlee name, has been designed specifically with photography enthusiasts in mind.

kerlee35cKerlee 35mm f/1.2 by dzoptics

kerlee35dmore details and review at ephotozine

kerlee35e

The DX-format D500 and FX-format D750 battle it out

Who really needs a full-frame D-SLR?
The Big Debate

DX – PROS
– You get much more camera for your money – the D500’s specs easily outstrip the D750’s
– DX lenses are smaller, cheaper and lighter to carry around – and you can use FX lenses on DX Nikons too
– The 1.5x ‘crop factor’ makes telephoto lenses effectively 1.5x more powerful
DX -CONS
– The smaller DX sensor can’t quite match a full-frame FX sensor for all-round image quality
– The smaller sensor leads to increased depth of field, which can be useful, but can also make beautiful bokeh harder to achieve
– At shorter focal lengths you’ll need to invest in DX lenses, which will be of little use if you upgrade to a full-frame Nikon later

d500vsd750aFX – PROS
– The larger sensor area opens the way for higher ISO sensitivities or higher resolution sensors that don’t sacrifice overall quality
– Depth of field is shallower, giving images more spatial depth and attractive background blur
– If you want to turn pro, a full-frame Nikon is best both for quality and pro accessories
FX – CONS
– Even an ‘affordable’ FX-format Nikon like the D750 is a pretty expensive purchase
– You’ll need to invest heavily in lenses to exploit the quality potential of the full-frame format
– FX cameras are mostly (not always) bigger and heavier, and not designed for novices or those still learning

d500vsd750bThe DX-format D500 and FX-format D750 battle it out
N-Photo
Issue 63 – Sept 2016

d500vsd750c d500vsd750d d500vsd750e d500vsd750f d500vsd750g d500vsd750h d500vsd750i d500vsd750j d500vsd750k d500vsd750l d500vsd750m d500vsd750nDigital Camera World

Reflex 24 x 36 | L’heure du choix

Choisir l’appareil le mieux adapté à l’usage auquel on le destine
Ce rappel n’a pas pour but de décourager ceux qui rêvent d’un reflex haut de gamme, mais d’éviter les déceptions. Voici de beaux outils, pointus et rapides, qu’il faut apprivoiser si l’on veut passer au stade supérieur de la photographie, celui à partir duquel on construit ses images au lieu de les découvrir.

CI24x36a CI24x36bReflex 24 x 36 | L’heure du choix
dossier complet dans:
Chasseur d’Images #384 – Juin 2016

Pentax K-1 Sample Images

Pentax K-1 Sample Images

PentaxK1sample04aPhoto by HASEO
smc PENTAX-FA 31mmF1.8AL Limited
1/25 Sec, F8.0, ISO 400

PentaxK1sample04bPhoto by HASEO
HD PENTAX-D FA 24-70mmF2.8ED SDM WR
36mm, 1/80Sec, F2.8, ISO 100

PentaxK1sample04cPhoto by KEI TANIGUCHI
HD PENTAX-D FA 150-450mmF4.5-5.6ED DC AW
230mm, 1/250 Sec, F8.0, ISO 100

PentaxK1sample04dPhoto by KEI TANIGUCHI
HD PENTAX-D FA 24-70mmF2.8ED SDM WR
24mm, 1/500 Sec, F8.0, ISO 100

PentaxK1sample04ePhoto by KEI TANIGUCHI
HD PENTAX-D FA★70-200mmF2.8ED DC AW
200mm, 1/250 Sec, F5.0, ISO 100

PentaxK1sample04fPentax K-1 Sample Images
full resolution at: ricoh-imaging
and Pixel Shift Resolution on/off samples