Action and drama from the world of Formula One through the eyes of a top motorsport photographer.
Motorsports photographer Andrew Hone talks to CPN writer Mark Alexander about panning shots, the demands of shooting F1 and finding a replacement for his stolen go-to lens…
Refining your skills as a photographer can take a lifetime. In fact, most photographers admit the process never really ends with new equipment and an assortment of techniques providing a never-ending bounty of possibilities. Distilling just a few of these into your photographic trick bag can be a lifelong ambition.
Andrew Hone, a motorsports photographer who covers F1 for LAT Images as a freelancer and previously for Getty Images, has done just that and more, carving out a career based around his ability to freeze action while also creating artistic, almost abstract sports imagery. Add to that telling portraits and an uncanny knack of picking out the smallest detail of a speeding racing car, and you can see why Hone’s instinctive flair and range of skills come into their own on race day.
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Finding the formula for motorsport success
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