Okay, bring your camera in close… Closer… A bit closer… There! Perfect!

When you want to get in real close to your subject, you are entering the realm of the macro photographer. Usually this means you need a specialized macro lens, one that allows for extremely close focusing distances and provides a reproduction ratio of at least 1:1. For some subjects this may be your only choice, for example, capturing the minute details of an insect. For situations like that I will grab my M.Zuiko Digital 60mm F2.8 Macro lens. But often I want to capture a great close-up of my subject, giving it the macro ‘feel’ without actually being all that close. That’s when I put on a longer lens and turn to telephoto macros.

Using a telephoto lens for your close-up shots comes with several advantages over a regular macro lens;

​Better depth of field – macro lenses have very shallow depths of field and often require you to focus bracket in order to get sharpness throughout your subject. Although this can be the case with a telephoto lens it is far less of an issue.

Better control of natural light – given your increased distance you are far less likely to cast unwanted shadows on your subject with your camera or body.

Easier framing – Since most telephoto lenses are also zoom lenses it is easier to frame your shot

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Shooting Telephoto Macros
Shooting Tips and More by Peter Baumgarten at Olympus

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Tilt-shift effect in Autumn

Tilt-shift photography is the use of camera movements that change the orientation of the lens with respect to the image sensor, or by applying the effect of a shallow depth of field in post-processing software. In practice, this makes a real-world scene appear as a miniature or toy scene, such as you might find in a model railroader’s setup.

Mini house on the lake
by Purememoriesinmotion
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Autumn Scene in Canada
by Kristina Blokhin
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Autumn falls
by Konstantinos Lagos
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Autumn Woodland Tilt
by PogMoMadra
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Autumn Colours in Lewes
by Marriam Hughes
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Tilt-shift effect in Autumn
more at photocrowd

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Bokeh is NOT Depth of Field

The RF 85mm F1.2L USM compared to the RF 85mm F1.2L USM DS with Defocus Smoothing (DS) coating.

Offering a superior optical performance thanks to its advance lens design and the use of ground-breaking Canon optics, the RF 85mm F1.2L USM is the ultimate portrait lens for next generation imaging.

RF 85mm F1.2L USM DS – A unique high-performance lens offering a combination of beautifully smooth defocused background bokeh and a super fast aperture to produce breathtaking portraits.
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Bokeh is NOT Depth of Field

more about the RF 85mm F1.2L at Canon

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The Best Lens for Shooting Portraits?

“The creaminess and the bokeh are unreal… I definitely think the Canon RF 85mm F1.2L USM lens was made for portraits.” Canon Ambassador Rosie Hardy reveals the stories behind her recent portrait series, which combine creative techniques with the shallow depth of field afforded by the newest Canon RF lens.

Canon Ambassador Rosie Hardy is known for romantic and highly creative portraits that combine beautiful models with offbeat and fantasy elements. Her unique style has brought her a successful career in celebrity portrait, fashion and wedding photography, and a huge social media following.
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The Best Lens for Shooting Portraits?
more at Canon

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Portraits with Depth

For this people photo contest we invited you to share your best portraits that have a clear composition using depth of field

Congratulations Grand Jury Winner “The elephant sean bone in the little girl hands ” by amaliazilio
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Congratulations Runner Up “Pathfinder ” by Ethos
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Congratulations Runner Up “23115088724_71290e2743_k ” by stephenpapageorge
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Congratulations Runner Up “Lighting the Way ” by benjaminfoote
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Congratulations People’s Choice “Vika ” by ilyayakover
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Portraits With Depth Photo Contest Winners
more at viewbug

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