Have you spent much time thinking about the nature of composition in a photograph? Consider this… when you begin the process of creating a photograph something has caught your attention. That “something” seems worthy of capture and to pass onto others (your viewers). The problem is the “others” aren’t there with you when take the photograph. They didn’t see and feel the scene as you did. Composition is the tool that helps you convey that silent message to a viewer who is perhaps thousands and thousands of miles away.
“are you Talking to Me ? ” by ilias Orfanos
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“Jinx Cosplay” by Amanda Café
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“Half light in the forest” by Luís Rodrigues
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“Dark Clouds” by Christian Giger Photography
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“Fishermen hanging their fishing tools ” by Nguyen Quoc Thang
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Exquisitely Composed Photos That Each Tell A Unique Story
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Use framing to direct the viewer’s attention to a specific location within the composition.
Natural framing is a popular technique in landscape photography where the photographer deliberately places the primary subject in a position where accompanying elements surround it, highlight it or call attention to it. A connection between the objects framing the subject and the subject itself should exist. The goal of the frame is to direct the viewer’s attention to a specific location within the composition. It unifies the primary focal point with natural or man-made objects that surround it. These objects add a sense of depth and also help identify the environment in which the image was created.
Not all photographs need to be taken from our eye level – nor should they.
Changing your viewpoint is not only a great way to enhance composition, but it might also make your photograph stand out from all of the other eye-level views made of a similar subject.
Use your freedom to your aesthetic advantage and make images from creative viewpoints.
“I have a love-hate relationship with winter. I won’t get into why I hate winter (too cold, short days, high heating bills, driving sucks… okay, so I got into it a bit). For photography however, I love winter. Once the autumn leaves hit the ground and everything looks dull and grey, I find myself dreaming of winter. There’s nothing like a fresh blanket of snow to brighten up a landscape scene. And that same landscape can look quite different from day to day considering how variable the weather and lighting can be during the winter.
Is winter photography really any different from that of other seasons? Yes, and no. The basics of landscape photograph apply regardless of the season, but my approach and preparedness can be different in the winter. Here are some tips that might help you improve your winter compositions…”
By Peter Baumgarten, Olympus Visionary
Focus on winter’s unique features
Play in the snow
Look for color contrasts
Shoot at the bookends of the day
Control the blues
Make your own point of interest
Focus in on the details
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8 Tips to Improve your Winter Compositions By Peter Baumgarten
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Take a moment to play around with basic photo framing: the rule of thirds, S curves, leading lines, diagonal lines, and symmetry versus asymmetry. Certain foods may look beautiful when arranged on a simple plate, while other foods take on a new form if you fill your frame with an extreme close-up. On the opposite side of the spectrum, you don’t have to fit everything in your photo every time. Let your viewer’s imagination run wild by choosing to share just a part of your seven-course spread.
Natural lighting is good, but natural lighting with a hazy filter is even better. Always aim to shoot outdoors during golden hour or use translucent curtains to filter intense light through windows. Also, don’t be afraid of shooting at a high ISO (400 – 1600) to get an artfully grainy shot. If neither of these options are available, use a camera with manual settings to adjust exposure or a lens with a fast aperture that captures more light when shooting delectable dishes in low light areas. Just leave the flash off.
A perfect image is all in the prep. This could mean work-in-progress shots of diced vegetables on a wooden board or fruit sitting in a harvest basket waiting to be baked. Use ingredients to add character and texture by creating imperfections like overflowing sauces, dollops of cream, herbs, crumbs, and grains of sea salt. Again, think about the depth of your photo and focus on various ingredients to see what yields the best shot.
I always say that composition is 51 percent of a photo, editing is 49 percent, and lighting is 100 percent. Lighting is everything. Think about what a camera is: it’s a box that lets in light. Beyond that, composition is the foundation of your photo. Because composition is based on universal visual principles, it’s the thing that’s going to make your photograph universally appealing. That being said, editing is the thing that’s going to make your photograph even more attractive. Basically, think of composition like bone structure and editing as your makeup.
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Capture drool-worthy photos of your favorite foods with these photography tips.
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Drone photography is an amazing niche that’s worth exploring, especially if you want to take your photography to new heights—literally and figuratively. From your first flight to shooting something original, pro droner Petra Leary shares her tips for sensational shots from the sky.
Learn the basics of photography first. Before you even take to the air, set the camera to shoot manual and RAW. Sure, you can pull your drone right out the box and get a great image, but learning how shutter speeds work with aperture and ISO is key to developing your style and improving your photography.
Height isn’t everything. Although super high drone shots might have the ‘wow’ factor, sometimes you need to think about what you are trying to capture. Does your framing require everything you can see or do you get a more effective shot by framing just the necessary elements?
Like in every type of photography, lighting is key. Learn about how the effects of the sun at different times of day effect your shot, as well as how shadows and objects change with light. My favorite times of day to shoot are during the first 2 -3 hours of sunlight and again during the last couple of hours before sunset.