Wild Exposures


Witness nature at its most dramatic, graceful and unexpected with this stunning collection of breathtaking photographs celebrating the natural heritage of the bioregions of Australia and New Zealand, the Antarctic and New Guinea.
This year’s Australian Geographic Nature Photographer of the Year exhibition showcases the timing, patience, artistry and technique of professional, emerging and junior photographers as they capture spectacular moments in time.

Broken Dreams
Runner-up, Landscape
Broken Dreams was from one of my most rewarding but confronting shoots. After the Sampson Flat bushfires swept through the northern Adelaide Hills, I spent a lot of time shooting the aftermath and rebirth during the following year. This particular early morning shoot brought with it fog and an amazing mood.
Gumeracha, South Australia
Sony A7R, Sony 55mm, 1/5, f/10, ISO 100, tripod
by Ben Goode
— – —

Hide and seek
Overall Winner
I travelled to Raja Ampat mainly to visit the stunning Arborek Jetty. If you are really lucky you can observe schools of fish and I spent some time under the jetty. At one point, predators moved in and I was mesmerised by the chase between predator and prey.
Arborek Jetty, Raja Ampat, Indonesia
Nikon D3S, Nikon 16mm, 1/250, f/4.5, ISO 250, Ikelite 161 strobe, Seacam housing
by Tracey Jennings
— – —

Posing Black-fronted Dotterels
Winner, Animal Behaviour
Black-fronted dotterel
Elseyornis melanops
These two black-fronted dotterels seemed to want to pose for me, but I think they might have had something else in mind.
Charleville, Queensland
Nikon D800, Nikon 500mm f/4.0 with 1.4 converter, 1/400, f/5.6, ISO 500, tripod
by Dan Giselsson
— – —

Enchanted
Winner, Animal Habitat and Portfolio Prize
White’s seahorse
Hippocampus whitei
Low evening sunlight backlights White’s seahorse. Many of this species can be found living on the shallow shark nets beneath the boardwalk in Mosman, Sydney Harbour.
Mosman, New South Wales
Nikon D810, Nikkor 8–15mm F3.5–4.5 E ED, 1/125, f/29, ISO 160, two INON Z240 strobes, Aquatica digital water housing and 4-inch glass port
by Matthew Smith
— – —

Junction Falls -After
Winner, Monochrome
In a matter of seconds, Junction Falls went from a trickle to a roaring wall of thundering stormwater on a wet afternoon. I was fortunate to be there to capture the amazing transformation. Shortly after this shot, the embedded log completely disappeared from view.
Junction Falls, Blue Mountains, New South Wales
Canon EOS 1DS Mk III, Canon TS-E 45mm f/2.8, 0.6, f/8, ISO 100, tripod
by Peter Hill
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Wild Exposures

more at Nature Photographer of the Year

 

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