Banc d’essai Fujifilm X | Quels objectifs pour le capteur 24 Mpix?

Banc d’essai Fujifilm X | Quels objectifs pour le capteur 24 Mpix?
La réputation des optiques Fuji, conçues pour les boitiers de la série X n’est pas usurpée. Nos tests le prouvent : elles sont compacts, bien fabriquées, agréables à utiliser et, face au capteur 16 Mpix, elles délivrent d’excellentes images.
En janvier, un nouveau capteur 24 Mpix est arrivé. Pour savoir si la gamme optique est à la hauteur du gain de résolution apporté par les boitiers X-Pro2 ou X-T2, nous avons refait tous nos tests ! Les “Fuji-fans” vont s’en régaler…

fujixlens09a fujixlens09aa fujixlens09b fujixlens09bb fujixlens09c fujixlens09cc fujixlens09d fujixlens09dd fujixlens09e fujixlens09ee fujixlens09f fujixlens09ff fujixlens09g fujixlens09gg fujixlens09h fujixlens09hh fujixlens09i fujixlens09iiet encore plus dans Chasseur d’Images N°387 – Octobre 2016
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Les objectifs testés ont été choisis afin de constituer des fourre-tout adaptés à tous les photographes. Deux focales fixes manquent à l’appel: le 18mm f/2 et le 27mm f/2.8. Ces deux grands-angles sont ultra-compacts, mais ne sont pas les plus performants de la gamme. De même, le zoom transstandard 18-135mm n’est pas dans la sélection car ses résultats au-delà de 70mm sont en retrait.
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Comment lire les tests:

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A Geometrical Street Ballad of Black & White by Moisés Rodríguez

A Geometrical Street Ballad of Black & White by Moisés Rodríguez

Monochromatic, geometric, symmetric: to mix the different elements of aesthetics into the candid rules of street photography is a strict task to bear, much more to be consistent with it. However, Mexican street shooter Moisés Rodríguez’s oeuvre boasts these master qualities.

moisesrodriguez09a moisesrodriguez09b moisesrodriguez09c moisesrodriguez09d moisesrodriguez09eRead the interview with Moisés in Lomography Magazine.

Ghost In The Machine

Ghost In The Machine
Breena Marie Evans by William Rylott

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Body Artist: SurfinJoe Mac
Artistic Endeavors, Long Beach, California

MUA/Hair: Mana Afshar, Orange, California

Model: Breena Marie Evans

Photographer: William Rylott

via SuperModel Magazine – Issue 045

The DX-format D500 and FX-format D750 battle it out

Who really needs a full-frame D-SLR?
The Big Debate

DX – PROS
– You get much more camera for your money – the D500’s specs easily outstrip the D750’s
– DX lenses are smaller, cheaper and lighter to carry around – and you can use FX lenses on DX Nikons too
– The 1.5x ‘crop factor’ makes telephoto lenses effectively 1.5x more powerful
DX -CONS
– The smaller DX sensor can’t quite match a full-frame FX sensor for all-round image quality
– The smaller sensor leads to increased depth of field, which can be useful, but can also make beautiful bokeh harder to achieve
– At shorter focal lengths you’ll need to invest in DX lenses, which will be of little use if you upgrade to a full-frame Nikon later

d500vsd750aFX – PROS
– The larger sensor area opens the way for higher ISO sensitivities or higher resolution sensors that don’t sacrifice overall quality
– Depth of field is shallower, giving images more spatial depth and attractive background blur
– If you want to turn pro, a full-frame Nikon is best both for quality and pro accessories
FX – CONS
– Even an ‘affordable’ FX-format Nikon like the D750 is a pretty expensive purchase
– You’ll need to invest heavily in lenses to exploit the quality potential of the full-frame format
– FX cameras are mostly (not always) bigger and heavier, and not designed for novices or those still learning

d500vsd750bThe DX-format D500 and FX-format D750 battle it out
N-Photo
Issue 63 – Sept 2016

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Fit for Fashion

Siri Mesmer and Pauline Gurtler by Esther Haase
Sind jetzt ein Team: High-Fashion-Teile und Fitnessmode. Und dieser sportlich-chice
Trend hat auch einen Namen: Athleisure, ein Wortnix aus athletic und leisure

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Siri Mesmer and Pauline Gurtler by Esther Haase

Cosmopolitan Germany – Oktober 2016

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Lighting Modifiers You Must Own (and Why)

Lighting Modifiers You Must Own (and Why)
from: The Photographer’s Lighting Handbook
an educational guide by Photoshelter and Profoto

Although flash heads typically have controls to alter the power output of the light, controlling the quality of light can be challenging (although it can be done depending on the quality of gear you use). Some photographers (e.g. Landon Nordeman and Amy Lombard) use hard light to good effect. But for other photographers, lighting modifiers provide a means to control the hardness, spread and color of light. Here are a few modifiers we think should be in your arsenal.

Modifiers09a Modifiers09b Modifiers09c Modifiers09dThe Photographer’s Lighting Handbook

get the free guide at photoshelter